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Thursday June 15 2017 _continue reading
April 07, 2017
Olsen Gruin Gallery in New York is hosting an exhibition “April Fools” by artist TV Moore that will be on view through May 7, 2017._continue reading
Related exhibition: TV Moore April Fools
10 March 2017
"Hello, my lovelies, you are still here," the artist John Olsen exclaims as if approaching old friends. On the wall of the Art Gallery of NSW are a series of oils painted in the early 1960s from which the new retrospective, John Olsen: the you beaut country, borrows its laconic title._continue reading
9 March 2017
ARTISTS often talk about their studios as locations of solitude and retreat. But John Olsen's beautiful Southern Highlands workspace took on an even deeper dimension late last year._continue reading
A 40-year-old from Canberra, Timothy Vernon Moore is one of the stars of the imminent Sydney Biennale, “You imagine what you desire” (21/03 - 9/06), with a retrospective at the Campbelltown Art Centre. Despite the fact that he has lived in New York for some time, Australia remains one of his points of reference._continue reading
27 January 2017
Sydney art dealer Tim Olsen is about to open the doors on one of his most ambitious projects yet: his own gallery in the thick of New York's cut-throat contemporary art gallery scene.
Located on Elizabeth Street in Soho's established gallery enclave, Olsen told PS he was confident the move would be a success, with a long list of Australian and international artists set to grace its walls._continue reading
22 January 2017
ABOUT a year ago, iconic Australian artist John Olsen agreed to create an iconic painting that would capture the essence of his birthplace.
It was a deeply personal work, a reflection on his beginnings.
Unfortunately, illness meant he couldn’t be there when the exhibition opened in November last year.
But on Saturday at Newcastle Art Gallery – just a short distance from his childhood home – Olsen got to share a piece of that work, a slice of the Hunter, with hundreds of other art lovers._continue reading
7 January 2017
The Herald's photographer Peter Rae is thrilled to meet my lunch date, Leila Jeffreys.
"This is great," he gushes. "I've seen your work for ages and ages. I want to stand here and just go 'Wow', it's so gorgeous'."_continue reading
Alphachanneling is a Swiss-born American artist based out of Oakland, California whose erotic artwork is a testament to the metaphysical plane of sexuality, exploring the more unseen facets of sex rather than the physical. He refers to his own artwork as a "devotional prayer to the feminine principal."_continue reading
Related exhibition: Alphachanneling (Summer Show)
14 September 2016
If painting is dead, as some art critics say, nobody told John Olsen. "I'd like to know the time of death," he says with the brightest of glints in his eye. "I'm alive. So painting isn't dead."
At 88 years old and widely considered Australia's greatest living painter, Olsen is about to launch his largest ever retrospective at the National Gallery of Victoria.
3 September 2016
Over lunch at his home in the NSW southern highlands, John Olsen shares with Amanda Hooton a lifetime of insights into landscape, poetry and painting._continue reading
27 August 2016
I had hoped that by asking Tim Olsen to have Lunch with the AFR, we might discuss the state of the contemporary art market, the amusing and less amusing side of life as an art dealer and growing up as the son of one of Australia's most successful painters._continue reading
A Bay Area artist who goes by the name of Alphachanneling has
transformed his Instagram feed into a lush erotic jungle, teeming with
vines, petals, bodies, leaves, flesh, and other all natural pleasures.
I've been following Alphachanneling for a while now. I love to get lost in the psychedelic wilds where bodies go to play and touch and engage in extreme, sometimes divine, pleasure. Until recently, I assumed the artist was a woman, probably due to the softness of the images, the way they buzz with goddess magic.
Related exhibition: Alphachanneling (Summer Show)
23 January 2016
"I'm not old, I'm just aged," Olsen says, beaming, as the sun glints on the lake which laps his studio and sprawling house in the NSW Southern Highlands.
"One great value in being aged is that it allows retrospective thinking. I can now look back at the changes in my lifetime through a mental telescope...._continue reading
3 Nov 2015
31 October 2015
Leila Jeffreys’ remarkable portraits of rescue bird.
For Wonder, a rare albino turkey vulture, life can be trying. His terrible eyesight means that “he is afraid of his own shadow”, says Australian photographer Leila Jeffreys. He was found face down in the snow in Michigan and is now at a Californian rescue centre, where Jeffreys took his portrait. “There is a gentleness to him that makes me melt,” she says._continue reading
10 October 2015
"A mother and daughter turn to paint and canvas to comprehend a family tragedy".
In light of World Mental Health Day, John McDonald reviews Ann and Sophie Cape's current exhibition 'An Unending Shadow: Works Exploring Dementia' at Mosman Art Gallery.
3 October 2015
Paul Davies cuts his stencils with the same kind of scalpel blade his ophthalmologist father uses to slice into eyes. The results are different of course. Davies junior's use of the scalpel is potentially far less messy and brings forth images that are apparently serene and seemingly two-dimensional. Yet the issue of redefining vision is the same. That is a theme that has defined this 36-year-old artist's career to this date. Born in Sydney, now living in Los Angeles, he often uses mid-20th-century modern architecture in his work yet says what is there is not what it seems._continue reading
29 September 2015
“My work is driven by friction between opposing forces of built and natural environments, design and art, abstraction and figuration.” We chat to Davies about his new exhibition ‘Other Desert Spaces’ and the direction his move to Los Angeles has steered his work._continue reading
April 9 2015
With a portrait in last year's Archibald Prize exhibition and as a finalist in several other art shows, Anh Do's artistic credentials would seem to be beyond doubt.
But Do's gallery dealer Rex Irwin has been a tough judge to please.
"He came before last year's Archibald and he looked at all the work and he went 'This is pretty much all not good enough'," Do says. "And I said 'What about that one? That's my dad and I'm going to put him in the Archibald' and he said 'No, not very good'."